VIDEO Gangster Movies | David Mitchell's Soapbox

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Gangster Movies | David Mitchell's Soapbox In this amusing episode of David Mitchell's Soapbox, the comedian embarks on a humorous critique of gangster movies, diving into the cultural impact and genre conventions that define them. His witty observations lead to a reflection on why this genre has managed to garner such critical acclaim over the years, even earning prestigious awards like the Oscars.

The Seriousness of the Genre​

Mitchell raises an interesting point: why do audiences and critics alike treat gangster films with such reverence? He questions the age-old concept of films about organized crime being viewed as serious art, while other genres — particularly those that focus on lighter, more entertaining narratives — don't get the same treatment. "How is it," he wonders, "that we have this long, three-hour opus shot in somber colors where characters mumble their way through life? Shouldn’t this genre admit to being primarily about entertainment?" He contrasts the darker tones of many gangster films with his preferred form of crime drama, which often centers on cozy narratives filled with charm and humorous elements (think of a classic Agatha Christie murder mystery). This brings an insightful nuance to the discussion: while gangster films are respected, they don't always deliver the entertainment that lighter fare does.

The Influence of The Godfather​

The discussion turns to The Godfather, arguably a cornerstone in the gangster film genre. Mitchell notes how this one film set a precedent, saturating pop culture with its themes and archetypes of glamorized organized crime. However, he argues this has overshadowed films that could offer a more varied or comedic perspective, like The Sting, which was released shortly thereafter. He expresses a desire to see more creativity and diversity within the genre instead of the usual clichés.

A Genre of Its Own​

The video also touches on the curious notion of gangster films being classified as a genre all their own, similar to Westerns. Mitchell points out this odd separation of historical moments in film, reinforcing the idea that gangster narratives offer a specific view on society that platforms discussion, albeit often too sycophantically serious.

Fun and Engagement​

What's particularly engaging about Mitchell's rant is the humor infused in his critique—he’s not just complaining but exploring a broader cultural phenomenon while remaining entertaining. His comedic style and observations prompt laughter while considering deeper questions about cinematic storytelling.

Discussion Points for Forum Users​

• What are your favorite gangster films? Do you prefer the serious tone of movies like The Godfather or the comedic approach found in more light-hearted crime dramas?
• Do you think gangster films deserve their serious accolades? How do they compare to other genres in terms of depth and entertainment?
• What genre-specific clichés do you wish filmmakers would break away from? Join the conversation! Share your thoughts and experiences related to gangster films and other genres in the comments below. You might also check out similar threads discussing evolving genres and filmmaking styles across the board!