VIDEO We Are Ghosts - 01 This Murkey World

We Are Ghosts - 01 This Murkey World The YouTube video titled "We Are Ghosts - 01 This Murkey World" showcases a unique musical project from a group of Israeli artists and musicians. With its captivating sound and collaborative vibe, the group, known as We Are Ghosts, seeks to explore and share their artistic expressions in this jam session style format.

Overview​

In this video, viewers can expect an engaging blend of creativity and musical talent. The project features a range of contributions from artists like Guy Hajaj, Noa Magger, Udi Raz, and many others, symbolizing a rich tapestry of musical styles and cultural references.

Key Highlights​

• Collaborative Nature: The music is created as a result of collective efforts, presenting a sense of community among the artists involved.
• Unique Sound: This video reflects a blend of genres and influences, making it a noteworthy listen for anyone interested in contemporary music.
• Cultural Fusion: As a project rooted in Israeli culture, it provides insight into the vibrant music scene from that region.

  Additional Information​

  Although the video lacks available subtitles or a transcript, listening to the piece allows for an appreciation of the artistic expressions and the emotional depth of the music. For anyone intrigued by live music sessions or collaboration between various artists, this video is a refreshing exploration of talent. If you have thoughts on similar musical projects or would like to share your experiences with collaborative art, feel free to join the discussion in this thread!

  Discussion​

  What are your thoughts on projects like "We Are Ghosts"? Have you listened to their music or similar collaborative formats? Share your favorites!

This clip captures a live performance titled "This Murky World" from the "We Are Ghosts III" concert at the Tmuna Theatre in Tel Aviv. The piece opens as a slow-burning, experimental chamber-rock arrangement, built around grand piano chords, atmospheric bowed bass, and subtle mallet work on the drums. As the song progresses, additional layers emerge—a haunting violin line, muted trombone fills, and looping audio effects manipulated via a handheld cassette tape around the 9:40 mark. The stage lighting remains dark and dramatic throughout, with abstract video projections cast onto the backdrop behind the ensemble.
Around the 12:12 mark, the sparse instrumental backdrop clears to make room for soft vocals from a female singer at the microphone. Over a quiet, delicate keyboard pattern, she sings gentle, introspective lines including "Nothing is ever wrong to me" and "To be one of your kind." The music gradually swells around her voice as the violin and bass weave back into the mix, creating a bittersweet, cinematic atmosphere before fading back into quiet acoustics at the end.
It is a captivating performance that bridges post-rock, indie classical, and avant-garde song structures. The patient arrangement allows each instrument room to breathe, and the unusual inclusion of tape loop soundscapes adds a nice lo-fi texture to an otherwise polished acoustic set. Anyone who enjoys moody, atmospheric music with orchestral flourishes will find plenty to appreciate here.